^ Film Front Weimar: Representations of the First World War in German Films of.page needed page needed page needed The film is also known as Barbarian Master and Thor the Horrible. ^ Weimar Cinema: An Essential Guide to Classic Films of the Era, edited by Noah William Isenberg, page 140 The Sword of the Barbarians (Italian: Sangraal, la spada di fuoco/ Sangraal, the Sword of Fire) is a 1982 sword and sorcery film written and directed by Michele Massimo Tarantini and starring Peter McCoy and Sabrina Siani.

^ Private Anxieties/Public Projections: 'New Objectivity', Male Subjectivity, and Weimar Cinema on JSTOR.

^ Cultural changes: developments in architecture, art and the cinema - The Weimar Republic 1918-1929 - Edexcel - GCSE History Revision - Edexcel - BBC Bitesize.

^ MoMA|German Expressionism Style: New Objectivity.Police Report: Hold-Up, short subject, 1928.Films ДЇilms with New Objectivity themes and visual style include: The movement ended essentially in 1933 with the fall of the Weimar Republic. Other directors in the style included ErnЕ‘ Metzner, Berthold Viertel, and Gerhard Lamprecht. With its clear denunciation of war, it was soon banned as unsuitable for public viewing. Pabst's 1930 pacifist sound film Westfront 1918 views the World War I experience in a bleak, matter-of-fact way. His cool and critical 1925 Joyless Street is a landmark of the objective style. Pabst's films of the 1920s concentrate on subjects such as abortion, prostitution, labor disputes, homosexuality, and addiction. 1938-1964 (film & TV) Massimo Pianforini (18901966) was an Italian film and television actor. The director most associated with the movement is Georg Wilhelm Pabst. It translated into realistic cinematic settings, straightforward camerawork and editing, a tendency to examine inanimate objects as a way to interpret characters and events, a lack of overt emotionalism, and social themes. In film, New Objectivity reached its high point around 1929.

Swords and sandals 4 4chan